I don't want to think that anything is off limits for me to write about, but I also don't want to intrude on anybody's life, which is why there's very little specificity or names in the songs I write.

I didn't even respect singers until I heard Ray Charles, Frank Sinatra and Louis Armstrong.

I don't think I ever thought of growing up to be anything other than a musician. There really wasn't a plan B. Well, a kind of a distant plan B was to be a Formula One driver, but there really wasn't an entry point.

I had given myself a sort of early retirement when I left the scene in 1985. All of the people in my family worked until they dropped, including my father. I decided to take a little time to enjoy life. I traveled, built my dream house, rescued a few dogs. My return to music, and acting, was deliberate, part of my musical arc.

In the '80s, I got tired of the rat race. It was a terrible time for music. I wasn't part of that whole MTV craze. I did 'Go Ahead and Rain,' which was Madeleine Stowe's first bit, but felt no connection to it. I went many years where I didn't have to work.

I had a jazz trio, a rock n' roll band, and I played drums in junior high, high school, college, big bands, and I played timpani in the symphony. I am a drummer. It's the one instrument I actually play pretty well. It's just hard to carry on your back.

I never even held a guitar until I was 23 and living in California, but then loved it. I'm really not an accomplished instrumentalist. Maybe that has something to do with why I write and sing.

I never fully understand all the drama and machinations within the Eagles.

I had no idea what those cords were in the bridge of 'Prisoner In Disguise' when I wrote them. I had to go over to Don Gorman, the piano player, and ask what in the world I was playing.

I'm not a great band member; I'm more of a band leader.